Don Múnera is a young man from Tolima who ran away from the violence in his region, he tries to live in the big city, but things are not any better, so then travels to the gold mines in Antioquia, meets the people and tries to adapt, despite the dangers in town.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The...
Frankie Carbonara rises to the top of the Hurst College underworld by selling booze and running a speakeasy, however, the villain Pyle is not happy about his business being interfered with. The two gangsters clash, and it comes to a tragic conclusion of all out war.
Sunday 2 a.m., a mother is awakened by a call that dramatically changes her life. A few hours earlier, while his son leaving a birthday party, he was involved in a tragic road accident.
Maya, a widow, struggles to cope with the loss of her husband. At her lowest, her sister tries to get her out of the house, but grief keeps bringing her back.
To mark the 100th anniversary of the Société des alcools du Québec, Francis Reddy tells the exhilarating story of alcohol in Quebec from prohibition to promotion. With the help of historian Laurent Turcot and local producers, Reddy explores the unique relationship Quebecers have with alcohol and...
Set in an unnamed Italian city at carnival time in an unspecified year is about a man taking fatal revenge on a friend who, he believes, has insulted him.
The Business of Recovery examines the untold billions that are being made off of families in crisis. With little regulation or science, addiction treatment has become a cash cow business that continues to grow while deaths pile up.
Liisa, a young nurse returns to a remote island where she has spent the summer leaves in her youth. She soon gets to know some of the regular residents on the island, Pekka and Paula. During the summer party the underlying tensions mount.
Marco locks himself away in his studio to paint a new painting. The canvas, however, remains white for lack of inspiration. In order to divert himself, he decides to clean the studio and suddenly finds a bottle of Mescal.