In the late 1970’s and after a traumatic event on their honeymoon, a struggling couple visit an experimental, and borderline unethical memory research facility.
A poetic exploration that follows the profound mysteries of the process of grieving through silence and contemplation, told in a non-traditional cinematic narrative, filmed in 16 mm on the Ecuadorian coast.
When Amy struggles to trudge through her monotonous everyday life, she realizes she is happier when she is asleep, forcing her to chase the secure bliss she feels when she dreams.
A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material itself influence each other more and more to the point of physical destruction.
