Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.
At the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled to the Philippines in a makeshift boat. The couple were then recruited as extras during the filming of Apocalypse Now.
o jardineiro - ou os equinócios de uma memória latente
02025HD
Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the...
Convinced that a museum art sculpture is misaligned, a determined tourist challenges the gallery’s security protocols in an attempt to adjust the positioning of the central piece.
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the...
Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to...
Oracle is a short, experimental work of videopoetry. The film derives inspiration from Etel Adnan’s ‘Le Livre de la Mer’, as we meditate on the Mediterranean Sea and our relationship to it.
A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.
A choreography of discarded lottery tickets and the repetitive rhythms of various Parisian PMU’s. As if by chance, we meet Mostefa, a regular who doesn’t believe in luck.
