This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De...
This omnibus of film clips include a Savanna golf course made from Civil War trenches, wooden Indians used ourside cigar stores, an American Indian artist from South Dakota who paints upside down, the smallest residence house, a Bronx River statue with mysterious Civil War origins, the Ocean Grove...
The mortgage of an elderly couple is about to be foreclosed, but their daughter vows to get a job in the big city, where her virtue is preserved through the efforts of the handsome hero.
Robert Ripley presents a well-dressed cocktail party an assortment of drawings and film clips showing the world's youngest parents and the largest bible. Vitaphone No. 1362.
In this short film, Robert L. Ripley introduces narrator Leo Donnelly who presents various "Believe It or Not" oddities from around the world as gathered by Ripley. Segments include a NYC clothier that caters to very large men and circus elephant grooming. Vitaphone No. 1363.
Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.
Robert Ripley gives a show aboard a luxury liner at sea, starting with drawings discussing the origin of the "fathom" and Christopher Columbus being banished from America. Vitaphone No. 1361.
Val and Ernie Stanton make their second appearance in a Vitaphone short. This time out the two basically stand in the same spot as they re-create their vaudeville act, which includes a few songs as well as a couple comedy routines.
The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.
