An abstract mood piece that aims to cultivate existential anxiety, exploring the shape and purpose of both man-made and natural objects, while observing how they intersect and overlap.
Non-narrative film, highly manipulated: tape-over-frames, ink-tinted, bleached and drawn into. As a montage, abstractly and rhythmically intense. Super-8, silent, color, b&w. Dedicated to Bill Gubbins.
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the...
Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.
A film about creation itself, a rite of the sun and the surfaces illuminated by it. Light capturing and light summoning "in a primitive attempt to catch the sun with my hands".
THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy...
Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).
Sketch Film #5 (Tomonari Nishikawa, 2007, 3 min., super 8, silent, 18/24fps, b&w, USA) This is the last film in the series. I shot at the site of Marin Headlands County in California when I was an artist in residence at the Headlands Center for the Art. The footage shows the nature in the area, as...
An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.
Suggestion is the rock, and the physical evidence is the evanescent spray that breaks against the unseen. Transitive enharmonics of things touching in middair, an air which is Time—not an actual intersection, but with a consequence as powerful as predestination, a momentary fulfillment, a trail...
