In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.
These are work-in-progress elements of some commercial projects and a film to be titled, Knotte Grosse. Beckett received an AFI Independent Filmmakers grant to produce Knotte Grosse but it was unfinished at the time of his death. The images allude to computer-generated graphics (but are not) and...
The pantun is about a game I (we) used to play pretending to be the characters in invented fairy tales. This time it was a snail. The images of multiplied me are out of time with each other, I give up and try dancing.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.
Life in the Atom was never completed but the existing version was digitally restored in 2009. The film depicts an ever-changing world inhabited by a man and woman engaged in surreal, erotic contortions. Their bodies are in a constant state of metamorphosis, as if to indicate psychological states or...
Global in scope but intimate in spirit, Simon Liu's Fallen Arches is a dizzying assembly of footage shot between the bucolic English countryside and buzzing metropoles New York and Hong Kong.
The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at Dwayne’s Photo.
In his film #43, Joost Rekveld observes what happens to a system that is destabilised by ‘creative' pixels, drawing inspiration from the set of ideas in biology and mathematics that arose during the development of cybernetics in the 1950s.
Hand-drawn animation tests, trials and experiments from way back when, with some water color, cut into a sweet. little. diddle. diddy. biddy. beep beep. boop boop. video.
Presented in an abstract, non-sequential fashion, it tells the story of a filmmaker's growing frustration as he attempts to make a movie about his back-garden.
A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the...
