Burr creates a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendo-ing in time with Christopher Doulgeris’ portentously pulsating soundtrack.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film,...
A blind man stumbles about in a desert before his seeing stick is caught in a bear trap. Crawling, he manages to find a waiting line composed of the blind queuing outside a cinema. Their thoughts are represented by the twelve absurdist sketches that make up the film feature film Adrenaline (1990).
A couple are watching television together. Over time, the shows become more bizarre: a news report about the arrest of two terrorists reveals they have the same faces as the two spectators; in another, a female strips for the man and finally a politician demonises the couple and declares them...
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film...
A found-footage film made entirely from Academy leader, which is normally used to cue the start of films. The film was hand-printed on a home-made contact printer. It was rolled back and re-printed several times over, to create a complex layering of both image and sound.
Filmed in an empty shop, the remaining features of the space are used to create a kaleidoscopic light film. Ceiling lamps become coloured spheres and circles that sweep across the frame. Pillars provide wipes and fades, window shutters are hole punched stencils, passing buses shoot beams of light....
This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.
A film motivated by nothing (but daily life and (my) vision). It represents nothing, it signifies nothing. There’s no hidden meaning, no defined subject, no predetermined objective. Inside and outside. Just angles, textures and flashes of color. A whole different empire of vision, impossible to...
A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, such a project was beyond technological possibility. His pioneering efforts to combine luminous, expressive painting and the moving picture were further curtailed by the outbreak of WWI. Some have...
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
Director River Roest sees Lil' Guys as an exploration of his love for animation, the exhaustion it can cause, and ultimately, the joy it brings. In this groovy short, lots of small elements come to life, moving to the rhythm of the funky soundtrack.