data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive...
Using one half of a convex mirror mounted within a glass cylinder, Steina trains the video camera eye dead center as she records the space immediately around her. “Steina playfully does gymnastics with her camera and its mirrored lens attachment as a means of producing a 360-degree image of a...
Dichotomies of the world are not something of Christianity itself, but were formed later, from the early church fathers. This extended through institutionalization, the arrival of capitalism, the enlightenment to today’s perverted form, which has little to do with early Christian groups...
Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of an improvised and computer music performance with Keith Rowe at the London Filmmakers Cooperative, December 1989.
HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife...
This live show features the energetic analysis of television network news by Brian Winston. Winston looks at the news as a unique institution, governed by its own conventions and constraints.
The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.
In Silver, Murata subjects a snippet of footage from a vintage horror movie (Mario Bava's 1960 film 'Mask of Satan', featuring Barbara Steele) — to his exacting yet almost violent digital manipulations. The seething black and white imagery constantly decomposes and reconstitutes itself, slipping...
With Grosse fatigue, Camille Henrot set herself the challenge of telling the story of the universe’s creation. Indeed, the fatigue is grosse, or hugely weighty, she who has condemned herself to carrying the weight of the world on her shoulders like the Titan Atlas. But aren’t such dark and...
Training herself in acceptance through walking meditation, Sommer confronts urban and internal development, encountering tremendous barriers in the process.
A police interrogation: question and answer, question and answer. A relentless circling around the establishment of guilt, underpinned by a soundtrack of techno beats that hit you in the gut. Ignas Krunglevicius' two-channel video installation is based on real-life police records: Detective Robert...
On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then found mere materials in daily use which is you can easily find in most of asian city. We were collecting the moment of improvised "performance" with those objects to activate possibility of how we...
Da Corte found inspiration in Leonard Cohen's music, particularly the 1974 song "Chelsea Hotel #2," after which he named his breakthrough video in 2010. Filmed on a cellphone, Chelsea Hotel No. 2 takes place against a white backdrop that highlights the vibrant colors of random objects and...
