Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.
We follow two boy dancers who describe their relationship with dance and how they feel about being boys in a world that is seen as "feminine" from the outset, and that it is possible for men to have different values and different relationships with dance.
The piece tells the story of why she had to spend a year in hospital. She cedes her place to others and watches “them lend their body to my narcissistic cause”. Half a dozen naked men tell the auto-fiction of this radical artist. Otero, the granddaughter of an intelligence officer during the...
“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of...
The use of human hands as characters in a dance inspired narrative are used to explore female experience and representation. By drawing upon experimental traditions found in international art, film, and photography movements of the 1920s, Simon transforms a simple melodramatic love story into an...
Charlene and her teenage son (Quincy) are forced to relocate to Memphis with her estranged sister (Gwen). Tensions quickly escalate between the sisters, while Quincy befriends the neighborhood hustler (Dawg) and becomes immersed in the city's gritty lifestyle and the subculture of the street dance...
MAQUETTE is an excursion into the world of dance and other cultural activities in Toulon: “There is a film that I didn’t complete. I shot it in Châteauvallon with a dance group called Artefact. A rough cut of it exists entitled MAQUETTE, but that’s all I did with it.”
Aeterna is a movement-based film that explores the feeling of personal insignificance when confronted with the complexity of human existence. By combining choreography and cinematography, the film plays with distorting the human form, offering a visual representation of our place in the world.
Prima ballerina Darcey Bussell talks about her life at the top. From tears at ballet school and forgetting the steps, to becoming the Royal Ballet's youngest-ever principal and her favourite roles, Darcey recalls her performing career from its earliest days.
La Vache (2:30) Run (3:33) Sleepwalker (5:11) Blind (5:50) No Angel (4:20) I Don't Care [feat - Silvy] (5:19) No Music (4:14) Lonely (5:46) In My Eyes (4:22) Whisper (4:27) Saxy-Motion (3:25) Time (4:36) Land Of The Living (4:17) Tainted Love (4:06) Never Again (3:39) Oceans...
Joan Denise Moriarty doggedly followed her dream of bringing ballet to every corner of Ireland. A pioneer of early 20th century Irish dance, she dared to create a uniquely Irish form of ballet inspired by her love of nature and Irish folklore. Her life's work has been largely overlooked since her...
A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.
At dawn, in a great classical dance conservatory, a boy falls while rehearsing some movements. Something breaks in his foot, causing sharp pain. But it's exams day and the boy refuses to quit: he tries to face his dance partner and classmates, convincing himself his body has no limits.
In this emotional documentary, Majid Kessab embarks on a moving journey to his Kurdish homeland, where he delves deep into his family history with his father.
Eight Early Era dancers inspect the systems by which we abide, and the sameness required of average people to operate within those systems. To the rhythms of Austin-based hip-hop duo Magna Carda, the artists must decide whether to stay within the boxes that confine them or break free. A unique...
