Perhaps the first documentary about Centro Hospitalar e Universitário de Coimbra. A film about this hospital, about this art object: a sum of techniques and gestures that, as the Xerazade narratives, or the Antonius Block chess, try, in an endless movement of opening and closing doors, to outwit...
This is the look that the film about Eduardo Gageiro takes. A film that departs from the stories of two images and that moves on crossing them with the ones that come out of the construction of his latest book. A film that shows how the deep Portuguese look of this photographer has seen the...