Sahia Film Movies

  • 1962
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    Shells Have Never Spoken

    Shells Have Never Spoken

    31962HD

    Shells Have Never Spoken is a black and white documentary film made in 1962 by Sergiu Nicolaescu. It is the first Romanian underwater film.

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  • 1984
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    On the Banks of the Ozana

    On the Banks of the Ozana

    01984HD

    On the banks of Ozana follows the lives of children who dedicate their time to agricultural work.

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  • 1971
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    The Catastrophe

    The Catastrophe

    01971HD

    This is one of hundreds of so-called „ephemeral” films produced by the documentary studio in the wake of serious accidents on Romania’s roads. As was always the case in such films, the guilty party is the driver himself – one of the aims of this category of film was to assign unequivocal...

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  • 1983
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    People Telling Stories

    People Telling Stories

    01983HD

    People Telling Stories is an industrial, health-and-safety commission turned into an aesthetic exercise by one of the most flamboyant young directors at Sahia. In the early 1980s, Romania experienced a crisis triggered by the so-called ‘Transcendental Movement’ (a variation of the...

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  • 1970
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    Several Culprits and One Victim

    Several Culprits and One Victim

    01970HD

    Commissioned by the Ministry of Oil and filmed in the summer of 1970, in Argeș and Ilfov counties, southern Romania, this film was meant to prevent a dangerous practice particularly widespread among people living in rural areas: the transfer of methane gas into homemade containers as a way of...

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  • 1978
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    Letter from the New Town

    Letter from the New Town

    01978HD

    What more understated, and yet more effective, ode to urbanization than Mesaroș’s film, which consists entirely from dynamic black&white photographs connected by a voice-over commentary written from the perspective of a naughty pre-teen boy who enjoys to the full the benefits of modernization?...

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  • 1976
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    A Wedding in Leresti

    A Wedding in Leresti

    01976HD

    “Wedding in Leresti: American couple gets married in the Orthodox tradition as local priest is appointed Texan sheriff” – this was the title of a feature published in the August 1973 issue of Tribuna României, a trilingual (French-English-German) Romanian publication targeted at foreign...

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  • 1975
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    The Secret

    The Secret

    01975HD

    Sahia also picked up commercial work from time to time. In this case, literally; a movie stuntman sells personal injury insurance to onlookers. Included as an extra on the Sahia Vintage DVDs.

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  • 1971
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    These People

    These People

    01971HD

    Short documentary about working-class Romanians.

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  • 1955
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    Us, Aged Five

    Us, Aged Five

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    n December 1955, the professional community around Sahia celebrate the fifth anniversary of their institution by producing this films meant to be screened in the opening of the anniversary party and only for insiders of the studio. The film copy available at the National Film Archive has no...

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  • 1980
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    Parents' Meeting

    Parents' Meeting

    01980HD

    The Segalls’ interest in children’s lives dated from the mid-1960s, when, using a camera placed off-stage, they filmed the end of the year festivities at their daughter’s nursery. The result was Big Little Feelings, which won the Silver Dove at the Leipzig Festival in 1964. In the years that...

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  • 1960
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    Film Festival for the Villages

    Film Festival for the Villages

    01960HD

    Created with a political-educational purpose and, at the end of the ‘70s, incorporated into the Cîntarea României (Song to Romania) Festival, the Film Festival for the Villages was one of the longest running cultural-political events in Socialist Romania. This film, conceived as a marketing...

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  • 1957
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    The Events in Hungary

    The Events in Hungary

    01957HD

    A quick look at the Hungarian Revolution of 1956.

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  • 1960
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    Little Ones Describe the Big World

    Little Ones Describe the Big World

    01960HD

    Little Ones Describe the Big World is not so much relevant as a sample of the directorial work of filmmaker Gabriel Barta as much as it is as an example of the early writing of one of Romania’s most peculiar and prolific writers, Radu Cosașu, who, at the time, worked closely with the Sahia...

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