Abajur Produções Movies

Shot on the farm of the Director's grandfather, the short film "Remember me?" shows how certain places can be sources of great inspiration and nostalgia.

From the series "Tales of Cheap Crime" One film, one spectator, one crime, one investigation, all in one.

Experimental biblical short film retelling the crucifixion of Jesus Christ.

Organic movements and glimpses of reality blend into a visual experience.

From the series "Tales of Cheap Crime" Due to a lost order, a young man must look for alternatives in a race after the loss.

With mixed techniques, the short film "I don't know what nostalgia is anymore" brings a gameplay recording of the game "project zomboid" as the basis for a film that seeks to represent what loneliness means to human beings and how much we can find ourselves even without any help.

It is the first skateboarding film recorded in a 100% virtual environment. Directed by Danilo de Alencar Trindade through the production company Abajur, the film explores not only the genre, but also the solitary and surreal aspects that many games are capable of conveying.

Cycling down the streets of São Paulo's West Zone, Munziger blindly follows his instincts.

A couple meets and stays together for a whole day.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

Filmed with a cybershot camera, the experimental short proposes a journey about architecture, loneliness, and hope.

In this documentary the poet Nelson Castelo is filmed in the intimacy of his home and reflects a little about himself.

Dating from 1932, this footage is a relic filmed by British explorer Nelson Castle during an expedition to the south of South America.

Following on from the short film 'The buildings will take off and leave us behind' (2022), the director imagines what happened to the buildings after they took off from earth.

Using mixed techniques and experimental elements, the director intends to explore the relationship between him, the cinema, the actor and the spectator.

A vibrant and participatory portrait of urban traffic as a parallel with human and social wear and tear in cities in a debate on the desires and fears of each person.