In their feature-length debut, Gossing/Sieckmann dive into the merfolk subculture with performance artist and siren Una. Genre elements, fiction and documentary, self-care, political activism and self-chosen identities blend into one another.
Interviews with seamen’s widows form the basis for a loose narration between the poles of distant love, fake luxury and colonial artifacts. Shot on 36-hour ferry cruises between Rotterdam and Hull, and Kiel and Oslo the film as a souvenir itself draws a connection between the ship as the largest...
