Jongin starts receiving anonymous poems from someone in the cafe he goes to every day. In order to find out which one of the baristas is his secret admirer, he has to observe, analyze and confront each one of them.
Strolling the street looking for help, Nick meets a girl with the same problem. They know nothing about each other and seem to know everything about everyone else. But sometimes the less you know, the better.
At the interstice between materiality and immateriality, Direct work on the filmstrip is digitally rendered, creating tension between surface and depth.
