Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.
After the Romanian Revolution reached its peak during the Christmas Holidays of 1989, Romania’s Communist patriarch and his wife Elena were sentenced to death by a military court and accordingly gunned down. Chris Marker’s short video-collage Détour Ceauşescu documents how the execution was...
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and...
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations...
In the fall of 1985, Christo "packed" the Pont Neuf. In the space of a week, enthusiasts, critics and curious people drastically change the perception of this place whose presence has never been felt as much as since it was veiled. And that's what Christo wanted.
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for...
Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.
A documentary on Soviet filmmaker Aleksandr Medvedkin, examining his tumultuous career, the rediscovery of his masterpiece Happiness, and Russia's struggles over the course of the 20th Century.
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
Paris 2002. Yellow cats appear on the walls. Chris Marker is looking for these mysterious cats and captures with his camera the political and international events of these last two years (war in Iraq...).
A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.
A documentary about the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Filmmakers of our time. The title of the film is a play on the title of Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. In Description d’un Combat, Marker’s idiosyncratic style,...