A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes...
In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine,...
This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films,...
The President of the U.S. is suceeded by his naive, wide-eyed son, and his advisors try to take advantage of the situation by planning to drop an atomic bomb on Manhattan and blaming it on the Red Chinese.
Maya Deren is a legend of avant-garde cinema. This authoritative biography of the charismatic filmmaker, poet and anthropologist features excerpts from her pioneering Meshes of the Afternoon and her unfinished documentary on Haiti, interviews with Stan Brakhage and Jonas Mekas, and recordings of...
Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more...
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and...
John Korty's animated adaptation of Hirosuke Hamada's story (Ryu no Me no Namida) of a little boy's fearless act of inviting a dragon to his birthday party. Utilizes Japanese-style watercolor artwork.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile. The date 1961 refers to the addition of Teiji Ito's soundtrack and its subsequent completion, but the...
Deborah Stratman brings past perspectives into the contemporary moment in a montage of unfinished film footage from artist Barbara Hammer with evocative sound, texts, and teachings from artist Maya Deren. Vever poetically draws connects between three generations of women filmmakers who separately,...
Because of the film's choices of text and illustration were made so well – and because the natural anatomy of memory is so like that of cinema montage– the movie's effectiveness is very great, and it stands as a worthy initial exploration of the medium in which Mr. Boultenhouse has wrought so...
A combination of animated line drawings with live photography of a nude model. A play on the title (living lines, life model, procreation and hand life line).
An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision.
"This is a new version of the now famous film made for her husband, the poet and film-maker. Returning from the Brussels fair, she shot this at Versailles and the Louvre. There is wit, irony and prophecy here (though perhaps not apparent to those who do not know Marie Menken and Willard Maas...
Pacifist plea sponsored by a Quaker group. To a voice-over commentary describing the arms race, Language of Faces presents a montage of human faces and activities that culminates in a silent vigil at the Pentagon.
Menken's 16mm, stop-motion tribute to the art of Dwight Ripley was filmed in 1959 in his apartment at 416 East Fifty-eighth Street in New York. She used his drawings as flats.The remarkably contemporary soundtrack for steel drum, guitar, flute, and voice was written for the occasion by Maya Deren's...
