In an increasingly urban nation, Canada’s national parks are a treasured escape into extraordinary beauty and rugged wilderness. If the Group of Seven were an introduction to the landscape’s majesty, National Parks Project is the next logical chapter. Fifty-two contemporary artists from across...
To celebrate the BFI's Thriller season, filmmaker Daniel Cockburn explores the power of sound to terrify and unsettle. Using sounds from Hollywood's best-known thriller and horror films, Cockburn makes familiar noises frightening and leaves us wondering... What's that sound? And why won't it stop?
Sculpting Memory places Atom Egoyan in an audiovisual environment woven from the fabric of his own films―a conceptual move that references Egoyan’s adaptation of Beckett’s Krapp’s Last Tape while evoking Egoyan’s own work as a moving-image installation artist and his concern with the...
In the 1970s, Mark Vonnegut, son of renowned sci-fi author Kurt Vonnegut, leads his friends out of Nixon's broken America to Eden, where they can build something good. His friends are in paradise but Mark begins hearing strange voices. Becoming increasingly threatening, Mark must battle to keep...
What begins as an enquiry on things that mean other things itself becomes a thing that means other things, too. And whatever exactly that thing is, the latest by one of Canada’s most ingenious auteurs is another astounding feat of cerebral and cinephilic dexterity.
Einstein proposed that time might not flow linearly, suggesting that spacetime bends and warps under powerful matter, seen as gravity's fluctuations. During the pandemic, people experienced this concept firsthand: shrinking horizons made time seem to both stand still and race forward. Daniel...
Over the course of a ten-year postal correspondence, a pair of movie-going pen-pals share their thoughts on some of 90s cinema’s key traits: the rise of video, the need for speed, and of course the cliff-edge sense of global dread. But do decades have ‘key traits’ at the time? Or do we...
One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the...
Metronome is a 2002 Canadian short experimental film which mixes appropriated film clips and video by video artist Daniel Cockburn to express ideas about rhythm and order, the self and other minds, and the digital age. Densely philosophical, the work is acknowledged as his international "breakout...
All the Mistakes I've Made, Part 2 (or: How Not To Watch A Movie)
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Daniel Cockburn’s exuberantly cerebral, filmically deconstructionist work defies easy categorization, and this program of new work is no exception, from a short that interrogates “things that mean other things before becoming a thing that means other things in itself,” and a performance piece...
Can you remember the first time you ever saw the end of the world? Through a mesmerising collage of film clips and sound design, artist Daniel Cockburn looks at the habits and assumptions that cinema and its viewers have when it comes to imagining pictures of natural beauty and natural destruction.
A karaoke video which takes the lyrics and sentiment of the Elton John / Bernie Taupin pop classic at face value... and then puts a different face on them.
In the latest of his idiosyncratic blends of found-film hallucination and metaphysical comedy routine, director Daniel Cockburn imagines the thoughts that rattle through the Almighty’s head late at night, presuming that He has a head at all.
