Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences…
A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love...
Life and legacy of Agostinho da Silva. Traversing the biographical journey, the life and work of the Luso-Brazilian philosopher, this work has testimonies from himself and various personalities of Portugal and Brazil that allow us to unravel his personality and multifaceted thought.
A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.
Seventeen experts on history and arts deliver brief lessons on their favorite subjects, considered the most relevant to cover nine hundred years of Portuguese culture. The camera shows from a distance, or in minute detail, the monuments or art pieces considered, or even the texts discussed by the...
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss...
A group of tourists arrives to the historical center of Guimarães. The camera goes up over the shoulder of Alfonso Henriques' statue. The first king of Portugal, holding up his sword, demands respect. Nevertheless, from there we see how the group of tourists take over the place and sourround the...
The film exhibited the community and the beach, "how I new and it was shown to me" (Manoel de Oliveira) by the Meneres family, that had a house in Miramar. The film is currently lost.
Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.
Every year the Viennale invites a famous director to produce a short film as the festival trailer. In 2014 the choice has fallen on the 105-year old Manoel de Oliveira.