A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard...
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes...
A man accepts a concierge job, which comes with a small apartment, in an old building and, locked inside his lodgings, undertakes a strange job of grieving. He discovers that behind the walls, a system of secret corridors allows tenants to be observed. But is it really the tenants that he is spying...
A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had...
L’art d’aimer / The Art of Loving (1985), another colour short, is probably the weakest of the ten films, mostly because it’s a blurry monologue (read by Smolders) from the perspective of a man confused about past events from his youth, and the fate of his mother. Smolder’s voice is deadly...
A small, empty boudoir slowly becomes populated by a series of young women, their still and open expressions gradually engulfing the screen, as a nun narrates an account of religious rapture. Belgian filmmaker Olivier Smolders continues a brilliant exploration of religious ecstasy, figured in and...
La part de l’ombre recovers the life of the Hungarian photographer Oskar Benedek, who disappeared the day his exhibition opened; what happened to him? - IndieLisboa
Some footage and shots of expressionless actresses seen in Ravissements are repurposed in La philosophie dans le boudoir / Philosophy in the Boudoir (1991), wherein Smolders takes extracts from the Marquis De Sade’s nutbar text and applies them to scenes of a man in a prison cell, and single or...
The title (NOVENA in English) refers to the nine days of prayers undertaken in Roman Catholicism as an act of devotion or penitence with the aim of obtaining a state of grace. In Olivier Smolders' brooding, impressively refined short film, realized in black and white with liturgical choral music...
Some David Lynch films revisited through plans by Bergman, Lang, Bunuel, Hitchcock, Fellini and a few others: didactic montage directed by Olivier Smolders on a proposal from the ART BLOW UP site, a the occasion of the broadcast of Twin Peaks.
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures of people who have died? The aim of Mort à Vignole is to transcend the pain of a certain family and to come to terms with sensitive memories...
In this short film, Smolders theorizes about the effect of the gaze of strangers on the viewer, particularly in terms of what happens to these models after they have been captured by the image, by the camera.
On vacation in the countryside, a filmmaker thinks about the mourning of his parents. As their faces, and most especially their gaze, fades away, he starts meditating on masks as passages to the afterlife.
Collector of cursed musicians, unreasonable assassins, or suicidal hermits , a patient in a psychiatric institution has a historical gallery of characters that haunt him.
