French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.
For every film completed, dozens of potential films fall by the wayside and never make it onto the big screen. In the VR experience Missing Pictures, Abel Ferrara, Tsai Ming-liang, Catherine Hardwicke, Naomi Kawase, and Lee Myung-Se give us a guided tour of a story they were not able to tell.
Tsai Ming-liang directed in 2001 this episode of the popular Taiwanese TV children show Fruit Pie (《水果冰淇淋》), although it rarely appears on Tsai’s filmographies and the director himself is not particularly proud of it - it was a command by the PBS, perhaps only a divertimento....
A collection of shorts by four East Asian directors: Ann Hui on a male-to-female sex change, Kim Tae-yong on an emotional imposture, Gu Changwei on pregnancy in China and Tsai Ming-Liang on time and the city of Hong Kong.
In 2019, the night in Hong Kong was still in fascinating beauty and the landscape of everyday life was gradually changing. Travelling the streets, Tsai Ming-liang documented the city's rhythm and ambience, along with an overpass.
This short by Tsai Ming-liang, completed in 2021, was filmed at "the Dune" in Yilan, Taiwan, where the eight films in his Walker series were being shown.
"For reasons of health, Lee Kang-sheng and I moved to the mountains. We don't have any neighbors. Our house is part of a row of dilapidated houses. I love these abandoned houses. I often walk around in them casually. I think they are beautiful. I said to Lee Kang-sheng: we don't have to go...
Tsai Ming-liang designed this short film as a farewell to his friend Simon Field, who was about to leave his position as director of the Rotterdam Festival after eight years in office. The piece follows two dogs roaming the Tamshui River in Taipei, accompanied by the director's voice-over as he...
All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. São Paulo is the largest city of the Southern Hemisphere, with an incessant dynamics of cultural mixtures, with immigrants of all the world and migrants of all parts...
"The very first Taipei Golden Horse Film Festival was held here at Zhongshan Hall. During my university days, I volunteered as a ticket seller in order to watch films for free. Many years later, I received the top award at the Taipei Film Festival in an award ceremony held here as well. I have also...
Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.
Zang Guang-xing is a veteran soldier from Mainland China who married a young Taiwanese woman. He has been working as a supervisor in a construction company for seven years. Everyday he rides the same motorbike to work. He suffers enough misery from riding that motorbike, and dreams of buying a car....
Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction...
According to Tsai, “I chose to film Yilan’s Nanguan Market, the breakfast store next to the city god temple, the clay oven roll shop on Fuxing Road, and the mountains, water and paddy fields. To me, these are part of the architects’ everyday life. What makes Fieldoffice Architects precious is...
Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.
At that time, we sat on the first floor of the Social Welfare Hall, eating the Lao Wu charcoal grilled salty crispy cakes brought by Wenrui from Fuxing Road, Yilan, and looking at the sparse crowds of people on Tongqing Street, the trees swaying in the wind, and the Yilan River flowing not far...
Lush jungle and a building in ruins are the ideal stage for a film-confession that defies storytelling and goes beyond conversation on cinema. Tsai Ming-Liang and his actor Lee Kang-sheng confess and put on stage a pièce in which attention and slowness are in tune with the rhythm of memory. The...
