Petch, one of the young men of Nabua, composed and plays this song about his village written to commemorate the first shoot-out between the army and the farmer communists 43 years before. The song is combined with an image of Kamgiang, Petch’s friend, whose grandfather was killed by the soldiers...
One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.
Before Weerasethakul makes a new feature film, he conducts thorough research related to the topic of his interest. For his feature film, Tropical Malady, Apichatpong asked his colleague Ton to visit the army in the Kaeng Krachan Dam area to study the lives of soldiers and their daily routines. This...
There is a room at a Palace Museum that is filled with spirits. It accommodates countless of memories spanning several centuries. The room has observed the artifacts, the faces, the sounds, and the moving images. The room itself is a moving image, a moving vehicle. It is a spaceship that has been...
Second Love in Hong Kong shares a common theme in the art works of Christelle and Apichatpong – a minimalist portrayal of hybrid fiction/non-fiction landscape. Here the filmmakers focus on an imaginary character named Hong (Swan) who travels from Thailand to Hong Kong for a housemaid job. The...
This work filmed in the Peruvian jungle pays tribute to the American experimental filmmaker Bruce Baillie, who died in 2020, and whose work inspired Weerasethakul. An almost meditative vision takes in the sun reflected on rippling water, revealing the act of looking and seeing.
"A morning at home is full of vibrations. The movements of surrounding lives manifest on the wooden floor. Today, the feet are free. They become autonomous and synchronize with the leaves, the wind, and the sun. At one point, they merge. At another point, they disintegrate." (Weerasethakul)
Nitrate: To the Ghosts of the 75 Lost Philippine Silent Films (1912-1933)
4.72023HD
Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late....
Weerasethakul's contribution to an omnibus production exploring analogies between football and everyday life. The project was created by Mexican film director Daniel Gruener and originally broadcast during the 2014 FIFA World Cup.
A series of short films in which the history of the Thai border town of Nabua is re-imagined as an elusive science fiction ghost story rooted in Thai folklore.
The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker is in charge of the image, film roughly along at...
Nabua’s spaceship as an ideally manufactured vessel slowly lifts off from the ground and flutters in the air for a moment. Then it moves back down to the earth. This loop portrays a never-really-taking-off spaceship.
Bullet is Weerasethakul’s first film, an experimental, silent short that explores light and time. Here, one can see many tropes that continue to be developed throughout the artist’s career.
