The startling contrast between old and new Taiwan is the subject of Wan Jen's epic of traditional identities coming into conflict with an urban life, emphasizing the situation of women.
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jing is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and...
Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.
Zhijie, in her bid to find a wife for her mentally-challenged son, found Chu Lien to become her daughter-in-law. From then, Chu Lien's life becomes miserable, constantly being physically abused. Fortunately, Shun-hsing took pity on her, both of them quietly exchange solemn vows to each other...
Teenagers Jielong and Tangmi secretly love each other, but Tangmi vanishes after they spend a night out together. Jielong has to turn back to focus on his studies and enter university. Unexpectedly, Tangmi resurfaces with a newborn baby.
Doris simply wanted to open a refined, stylish coffee shop in a bohemian Taipei neighborhood, but when she's stuck with a load of useless gifts from the opening celebration, her younger sister Josie turns the café into a burgeoning bartering business. There, even a soulful song (by Japanese singer...
This is a story of reminiscence, remembering my long-deceased Grandpa. To remember is to transcend, therefore it’s a story of time and space, overlapped and intertwined. It’s also a quest of love and work, a spiritual and emotional journey; and through which values are re-examined and life...
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her...
When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang
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From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese...
Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the...
In Taiwan, a young woman, Lin-Lang, is released from prison after serving ten years for terrorist activity. She had turned to bomb making in grief after her mentor and lover, An Rong, who was also her university professor, was arrested for political activity and, she presumed, executed. In prison,...
Chao Ta-jung and Yuan-yuan met at the seashore by chance. Ta-jung was impressed with Yuan-yuan's compassion towards those who were less unfortunate even though she had given him a hard time. They soon fell in love and decided to get married but due to Yuan-yuan's heart problem, there is a...
10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.
A contemplative trip down memory lane with one of the leading voices of the Second New Wave of Taiwanese Cinema. Saw Tiong Guan clearly established a very personal bond with his subject, and also found many of Tsai Ming-liang’s colleagues prepared to complete this portrait of a quiet yet...
A group of young Taipei residents is drawn into the city’s underworld through the growing obsession of one, the boyish Ah-feng, for the sexy Cantonese mistress of a gang boss.
Key players of the Taiwanese New Cinema jointly produced this MTV-style propaganda short for recruitment to the military school. It caused great controversy at the time and marked the end of the Taiwanese New Cinema.
