The Kobayashi family finally are able to move out of their tiny, cramped Tokyo apartment to the suburban house of their dreams. But things are not as perfect as they seem: the house is infested by termites and the family starts going crazy. As the Kobayashis' house begins to crumble, so does the...
A talk show hostess takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there. As she gets closer to the truth, she and her friends are subjected to a brutal nightmare.
Jigoku-gokuraku-maru is a samurai on the run. One bounty hunter hoping to collect the sizeable reward is Teppo Oyuri, a comely lass who is an ace shot with her pearl-laden pistol. Before she can set her sights on Jigoku-gokuraku-maru, he is attacked by a hoard of sword-wielding thugs also hoping to...
Three high school students are running through their adolescence, feeling frustrated and empty at the reality of being 18 years old. The film depicts the three days of their lives, intertwining various episodes around a plot to steal marijuana that grows in a house's garden. They play mahjong, pick...
"His films are like a roller-coaster. His way of throwing the act of seeing into utter confusion is an attack on the eyes in their corporeal function, and to attack the eyes is to take on tile body itself as your opponent. The film makes you break out in sweat only by shooting a safe, peaceful...
"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space...
Ito is one of the leading experimental filmmakers in Japan. He graduated from Art and Technology Department of Kyushu Institute of Design in 1983 during which he made a debut with the film SPACY in 1981 (Inagaki who created sound effects for the film was also a filmmaker and his classmate at the...
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
The film follows the common sense storytelling of a dramatic film in which people meet other people and create relationships, but instead of converging into a single narrative, the aim was to create a film that diffuses and throws us into a sea of chaotic images. two couples in an uneasy...
Looking for a place to die? This work depicts the interwining, melding and chaotic coming together of a story of a woman in black wandering trough a city and a story of a girl engaging in destructive activities. Is the girl the woman’s nightmare?
"With this work, I developed/fleshed out the idea I had when making GHOST of peeling only the skin from various objects in the room, floating the skins in midair and then sticking them on different objects. This film was also shot entirely frame-by-frame with long-exposures. Along with GRIM, its...
A field of wilted sunflowers, a group of public housing units turned into ruins. Two girls who are like alter egos of each other. They wander around with a camera, one pointing it at mysterious things and at herself, the other hanging a black dress in various places and taking pictures of it.
"A long time ago, I would often dream of the uncanny and mystical landscape that appears in moonlight. Irrational landscapes and spaces filled with unspeakable pleasures like a black object that revolves slowly while flying over the scattered clouds that float in the night sky, their lumps...
