Using a rostrum camera, Raymond Depardon films a long series of photos, from the narrow streets of Paris to the endless desert, accompanied by original sounds of the city. A Cartier Foundation initiative for the contemporary arts.
After offering spectators a projection/comparison of extracts from 17 films (each time, the first 5 minutes of their second reel) entitled "Une histoire A/B du cinéma" (A/B history of cinema), Jean-Luc Godard becomes a film historian, reflecting live and in public on his future Histoire(s) du...
For his directing debut Ian Palach, Raymond Depardon, photographer and co-founder of photo agencies Gamma and Magnum, travelled to Prague in 1968. There, on 25 January, the Czechoslovak student Jan Palach was to be buried. A few days before, this young man had doused himself with gasoline and set...
A journal, a voyage through time. He photographs France, she rediscovers the unseen footage he has so carefully kept: his first steps behind the camera, his TV reports from around the world, snatches of their memories and of our history.
The film allows mathematicians involved in the creation of the exhibition to express themselves in their own words and includes Sir Michael Atiyah, Jean-Pierre Bourguignon, Carolina Canales González and Giancarlo Lucchini, Alain Connes, Nicole El Karoui, Misha Gromov, Cédric Villani and Don...
Film in three parts: Raymond Depardon films L'ambuscade d'Aouzou, in Chad, where Gilles Caron, Michel Honorin, Robert Pledge and a group of rebels are attacked by Chadian auxiliary troops in 1970. The other two parts (1975-76) include an interview with Françoise Claustre, a captive of the Frolinat...
An almost blind writer moves to a hidden property in an Alpine village with a female friend, Renata. The two play sado-masochistic games including long recitals of elaborate texts. A neighbor, Serge, gets interested in the mysterious couple.
During his stay in the Yanomami village of Watoriki with the anthropologist Bruce Albert, the French documentary filmmaker and photographer Raymond Depardon filmed in parallel a group of hunters and a group of Yanomami shamans in order to highlight – without having to explain – the close...
A fortuitous meeting, late one afternoon, in the garden of the Tuileries, of one or two cameras, a tape recorder, and three cameramen/directors, Raymond Depardon, Jean Rouch, and Philippe Costantini.
A documentary filmed in the psychiatric ward of the Motel Dieu at a large hospital in Paris. The patients arrive on their own, or with considerable help from the police, but all of them are in need of medical attention.
In the context of the World Aids Day on the 1st December 1994, the French Ministry of Defence commissioned the producer Raymond DEPARDON to make a film to show to all new French military recruits called up for their national service, in which they gave their 'personal' views on the AIDS (Sida)...