As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar...
Contemporary Paris, mid-July. Guillaume arrives in the capital to caretake a large apartment until the end of the summer. Lucie, the apartment’s owner, and a friend of his mother’s, welcomes him… then suddenly disappears.
À voir absolument: 1963-1973 Dix années aux Cahiers du Cinéma
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Jean-Louis Comolli and Jean Narboni, former editors at Cahiers du Cinema, interview their former colleagues and fellow travellers during the "Red Years" of the journal between 1968 and1973.
From the first meeting with the critic Louis Marcorelles to his last interview in Cahiers du cinéma, a portrait of Glauber Rocha, a leading figure of Cinema Novo, enriched with testimonies from his close friends such as Juliet Berto and Christiana Tullio Altan.
Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give...
A short video by filmmaker Noel Simsolo discussing Jean Cocteau and Jean-Pierre Melville’s creative relationship and the production of the 1950 film LES ENFANTS TERRIBLES.
