It rains. The millstone continues to turn in the mill, tireless. Winter is coming to an end. In the abandoned village, spring plays its way through the fog. Life and death in a land anchored to the sea and the fog, where the past is as present as the future.
Words, bleats, smells, looks, patience, flies, barks, cowbells and dust. A story of painted wolves, drivers of livestock after a severe sifting. The skinned sheep that eats and eats, and looks out of the corner of its eye. The cara guarding the border with his sword eyes. And the shepherd who...
The camera witnesses the preparation, the rehearsals of a play. It captures the faces, the space in which they meet, the voices. It is not about the show, but about the whole creative process that precedes it. Bodies that change, that transform, and that are observed through the gaze of the lens.
Villa 31. Buenos Aires is about life in its most physical sense, the life that, despite everything, beats unstoppably in every corner of the planet. It speaks of happiness, suffering, and the learning of both, and takes place, perhaps by chance, in one of the various shantytowns of Buenos Aires:...
On his return to his Galician homeland, the poet and storyteller Antón Avilés de Taramancos (1935-1992) sees the parallel stories of his life in Colombia and the history of the American continent intermingled. The uneasiness of a new world and the terror of colonisation and subsequent slavery...
In the Serra da Estrela (Portugal) silence is sometimes broken by the calls (chamamentos) of shepherds to control their flocks of sheep. These sounds are the basis for the sound poet Américo Rodríguez's compositions.
'Puerta Beta' was based on the site specific performance ‘Fuera de la fábrica Beta’, a collective creation directed by Nilo Gallego, in which the public, located inside an abandoned factory, a symbol of the industrial decline of the area, could observe the busy transport routes that connect...
Action/performance: Nilo Gallego Rodríguez and Felipe Quintana Pastrana, with a flock of 200 yearling sheep (6 zumbos (buzzers), 36 long bells, 36 short bells, 48 picks, 48 shears).
Patricia Lamas, with her generosity and energy, invited us to improvise-play-share at the recently opened creation centre L'animal a la esquena (Celrá, Girona). From that meeting resulted, among others, these improvisations.
