Since her solo debut in 1978, Nina Hagen has been considered the enfant terrible of the German music scene. Their shrill performances like the one on December 9, 1978, in Dortmund's Westfalenhalle remain unmatched to this day. There she and her band (the later Spliff) underlined their deserved...
Encounters in a community shaped by industry, which soon will cease to be. Between reject shops and employment agency: conversations about short-time work, freedom, and increase in rent, early retirement and the way into the west. Despair, resignation and remains of defiant hope.
