Billy Bottomsly, a struggling artist, is plagiarised by a Hollywood mogul. He involves his "typecast" friends in a star-jacking retribution plan. Billy's own dark comedy of errors becomes the ground floor in a pyramid of deception; each revelation an unsettling reminder that control is indeed an...
An ailing father, who is about to undergo a potentially life-threatening surgery, takes his teenage kids into the woods to try and recapture their early closeness, before he and his wife divorced and everything changed. But the three are swept into a supernatural adventure, in which only their...
A young runaway girl moves in with a seemingly harmless, elderly, Academy Award-winning songwriter. It all seems perfectly normal, until his dark side unleashes a chain reaction of ghastly events.
In the work of Jack Garfein - Holocaust survivor, theater and film director, key figure in the formation of the Actors Studio - past and and present freely intermingled to contribute to memorable stage productions and in two films, many which were ahead of their time in tackling such issues as...
Profile of one of the world's most popular motion picture stars, told through interviews with some of the artists who worked with him, family, friends, and excerpts from many of his films and television appearances.
Director Peter Bogdanovich discusses the career of director/writer Leo McCarey. Included in The Criterion Collection's 2010 DVD release of the Leo McCarey film Make Way for Tomorrow (1937).
American Masters takes a look at the career of Jeff Bridges as his friends and family discuss why he's so special and why he's become one of the more popular actors over the past couple of decades. Throughout the films, his co-workers and directors all mention that he's great because you can't tell...
We are all one. People are interconnected by invisible forces. Creative documentary about the history of Serbian immigration to the USA. Road movie through the present, from the East Coast to the West Coast. Global story about a nation.
An interview with Peter Bogdanovich and Henry Jaglom who were presenting films at the ninth New York Film Festival (1971). The documentary was first presented on the television program Camera Three.
Peter Bogdanovich recalls how Tatum O'Neal was chosen to play Addie, and discusses Alvin Sargent's script, the shooting of select sequences in Kansas, the title of the film (which was enthusiastically endorsed by Orson Welles), etc. Also included are comments from production designer Polly Platt...
