Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.
Helen, a visual artist, takes refuge in a house preparing for a new production. When her wife, Angela, returns from a trip, Helen's hallucinations are mixed with growing paranoia – indicating that she doesn't believe that the woman in her house is really Angela
After her mother's death, Ana returns to her reclusive father's house and comes across the paintings he creates to cope with grief. She soon discovers how these artworks reveal his deteriorating mental health and blur the boundaries between art and nightmare.
'Homo culinarius', as some researchers currently define, refers to our experience since cuisine was created. Its relationship with affection is displayed in this film in a way that explores the professional and home environment, through intimate captures of the filmmakers.
