The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
Monster by Moonlight! The Immortal Saga of 'The Wolf Man'
3.41999HD
Starting with "The Wolf Man" (in 1941), Universal Studios made five movies featuring The Wolf Man, a character portrayed by Lon Chaney, Jr. Monster by Moonlight! explores these movies. Rick Baker explains how the make-up was done on Chaney's character. Screenwriter Curtis Siodmak took very little...
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with...
This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
42006HD
Featuring interviews with daughter Nicola Lubitsch, film historians Enno Patalas and Jan-Christopher Horak and filmmaker Tom Tykwer (among others), Ernst Lubitsch in Berlin documents the life of the legendary filmmaker from his birth in 1892 to his departure for Hollywood in 1923. The documentary...
"Secrets of a Hollywood Star" is another documentary made after "Calling Hedy Lamarr" in 2006. It features interviews with Hedy's friends in both Europe and Hollywood and her film/studio partners.
He is the most sought-after man in Europe in the 1960s. Lex Barker embodies the flawless hero in his films and, as Old Shatterhand, becomes a role model for generations of fans. Revered in Europe, misunderstood and almost forgotten in his native America. But who was this American who rode through...
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
02006HD
In his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that Heaven Allows". Fassbinder was also strongly influenced by Sirk's work. Haynes now explains this double fascination.
