A woman forced into criminality. The conflicting motives for the characters' existence are reconciled in the finale in a human-hating feminine reality.
An attempt to express the relationship between space and the ability to reflect it. The result of these relations can be considered the non-representational nature of space, as a tangible form, and the tendency of space to have consciousness. We are talking about "inward-directed" vision and...
1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.
A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.
In this film, Edward Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the...
The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.
This movie marks the understanding of cinema as an extra-human effort and finds cinema beyond the human, somewhere on the territory of its non-existence.
