Over four centuries ago, William Shakespeare collaborated with others on a play about the historical figure Sir Thomas More. In it, he wrote a speech in which More passionately articulates a defence of refugees, culminating in a poignant reference to their plight. Fast-forward to the present:...
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
