The fates of a madman, a homeless woman, a print shop worker and a playboy are intertwined in the days leading up to Persian New Year. Toofan, an uncategorisable film which moves freely between horror and comedy; documentary, musical and sci-fi, was the first production of Khachikian’s own...
A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s...
