Pedro returns to the castle of his childhood, inhabited by his uncle, an indifferent being who scarcely notices his presence. At the castle, Pedro wanders between the park and the salons, playing the songs he composed on the guitar. He notices strange people around the castle.
An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre...
As a rereading of his films, "Contretemps" (in the fight against time), Jean-Daniel Pollet brings together excerpts of his films and a report by Jean Baronnet. The author Philippe Sollers and philosopher Julia Kristeva voice their thoughts.
Gala (1961), a more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies. - Village Voice
Lieutenant Gilles Castelet would have liked to marry like anybody else. But he has always been under the sexual spell of Colonel Popoti's wife. Once returned to civilian life he tries desperately to escape her, all the more as she is now widowed and she shamelessly chases him away. One day, Gilles...
