Sherman creates an elegant, graphically precise choreographed dance from the rhythmic, symmetrical movements of two elevators, two escalators and their two riders (a man and a woman) tethered to the aural image of an imposing jukebox.
Using the accoutrements of baseball, Sherman analyzes the magic of tv/film representation and offers a pun on the word "catch." "The camera catches the image, just as a baseball player catches the ball."
