Intended as a call to action, this UNICEF-sponsored film juxtaposes the fears experienced by children around the world as a means of awakening audiences to the struggles seen abroad.
Based on interviews with 15 women, including directors, producers and film actresses, a journey around the world is made, seeing the wars waged by each one against economic and political repression, bombs, police dogs, censors, etc. Images from England, New York, Brazil, South Africa.
In 1953, Shirley Clarke went to make a film about French mime Ettiene Decroux. The legend goes that he had left town and instead, she created In Paris Parks. Not known, is that in 1955, Clarke tried a second time to make a film about Decroux. This is the unfinished workprint.
In August 1955, director Shirley Clarke and choreographer Anne Sokolow embarked on a dance film about mime. It evolved two years later into 'The Rose and the Players', inspired by Pablo Picasso's 'Family of Saltimbanques'. 'The Rose and the Players' was never completed. Sections of this work...
Shirley Clarke manipulated the colors of her short film 'Bullfight' to great effect. Much of her final version had a strong red tint. These are the original C and D rolls of the film that show the spectacular work of their photographer Peter Buckley.
UCLA Student Film, Preserved by the Wisconsin Center for Film and Theater Research. Interviewees sit in the Modnar Machine and reflect on contemporary life, from war, to television, identity, self-perception, with abstractions in sound and visuals creating a feedback loop.
