This film was directly produced on a diverted computer without the involvement of any film equipment. Originally, this film was not in black and white, but in absolute black and full light. Indeed, initially, the screenings were only made with originals in which absolute black was achieved through...
Covers the making of the multicolored magazine for technological arts, Melba, edited by Claudine Eizykman and in which Guy Fihman, Dominique Willoughby, among others, were active participants, with 5 issues published between 1976 and 1979.
The filmed image is liberated from the shackles of representation of an external reality, becoming autonomous and spatial; the sound drifts and is regenerated by its asyncronous but nevertheless intimate relation to the image. Here, the sound is not reduced to the secondary role of accompanying the...
Made with Telidon, a Canadian videotex system that was in use in the 1980s. Although its primary function was to transmit textual and illustrative information, this system has been used by a number of Canadian artists as a creative tool to make graphic or video work. These films possess the...
Like BLACK & LIGHT, this film is also made without a camera. The image is perforated directly by a computer into two opaque 16mm strips. But this time, an additional step has been taken at the printing stage: the two strips (printed in A&B rolls) are each filtered with a different color.
TIME ZONE is a tapestry of colliding and interfering sounds, photographs and clips, for the most part recorded on the Alaska and TransCanada Highways between the Rockies and the Pacific. From one time zone to another, it explores the relations and combinative impact of time, space, form and content.
A squared multiplication. Made with Telidon, a Canadian videotex system that was in use in the 1980s. Although its primary function was to transmit textual and illustrative information, this system has been used by a number of Canadian artists as a creative tool to make graphic or video work....
The base sequence of Iris is a constructed cycle of coloured events followed by its copy chromatically inverted though a non compliant lab process. This sequence is then again copied-inverted, and so forth, each new sequence generating in turn the next one. Through this process, each subsequent...
Surfaces speaks about continuity, it is a single rhythmic plane which is sustained by music. The best commentary on it is related to a phrase from Georges Petrix: What is the meaning of form, color, material? Why is it there? If it's only to make someone say "yes, isn't that pretty, isn't that...
In the 1980s, the Canadian Telidon videotex system was not only used for the transmission of text and image information in telecommunications, but also became the medium of choice for many artists. The short film Spirale is one of the “Telidon” works of early Canadian digital cinema. It uses...
Three zebras, their graphics and their environment generate the frames of this film, which, once projected, is neither a presentation of the zebras, nor a continuity of movement, but a succession of isolated effects which seem random, even though they are generated by a fully structured...
