Divested of its traditional attributes – glass slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s la Cenerentola plays with these most conventional of fairy‑tale characters. Nonetheless Cinderella lives in a closed world devoid...
The Return of Ulysses to his Homeland - Champs-Elysée
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In the new production of the Return of Ulysses at the Théâtre des Champs-Elysées all the ingredients were gathered for a successful show: the music of Monteverdi, a mythological story, a wonderful orchestra on period instruments, baroque specialists like Magdalena Kožená, Isabelle Druet and...
