The filmmaker recycles the discarded material from Concertino, a film conceived for a piece for ten dancers by the same name by Catherine Diverrès, a celebration of bodies shaken by emptiness.
Tauride reconnects with the myth and the tragic role which it reinterprets. Drawing from this fracture, traversed by the magnitude of its cruelty, Catherine Diverrès prompts reflection that leaves no room for nostalgia or the temptation of prophetism
