In the summer of 2021, a research group scouting for viable sites for development arrives at Armenaki Island, where people live with their own laws and their own moral values, having found happiness in a completely different way of life.
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
