A documentary that seeks to map the current scenario of Brazilian horror cinema to answer the following question: what's so appealing about working with the genre and producing some of our biggest nightmares?
Panamerica, 1980. A stupid government decides that all citizens must participate in a deadly car race and sends an evil army to hunt down those who resist.
Raquel's life takes a terrible turn when she finds herself held captive by Gregorio, a sculptor of living dolls, who presents his conceptions of beauty and complete submission.