Scenes of people in motion. Some are working, others spend their leisure time. The sound of airplanes and subways reminds us of the city behind the piece of created nature.
Despondent over his lovelife, Swedish director Patrik Eriksson decides to chronicle his existential crisis, with the aid of co-workers, via cell-phone video camera.
A man in a squash hall, two nurses conversing through the tunnels, a couple of guys playing guitar, and in the nail salon, a Ukrainian woman talks about the situation in her homeland. In a visually impactful film, these scenes are juxtaposed, raising questions about context.
