This film is a series of shot or found sequences (about, of cities that I frequent) which, in the editing, display a fluidity and continuity eluding narration. The sequences are shaped by the editing according to various arrangements which respect the film possible direction: passage from one place...
"...the Arc de Triomphe. Among many variations offered, we have selected about thirty which were cut vertically, horizontally and diagonally. The film, very dense, compact, tries to shape perception by means of specific cinematographic treatments which accumulate contradictory, divergent and...
A film about my relationship to New York since 1962. It deals with the distance between a memory and the image of this memory, a distance one always tries to abolish. In this personal film we see the images of a city from a close distance, with autobiographic fragments on the soundtrack. The...
In Éliclipse, postcard images of Parisian landmarks are cut into vertical bands; every other stripe of the image is replaced with a corresponding stripe from another postcard image, resulting in the blend of the figuration of the two images
Film boundaries explore the garden geometry of the royal paths at Versailles, wandering among gilded statues and dry fountains. Nostalgia for bygone splendor is interrupted by a list of rules describing the married life of slaves. By confronting image and text, the film thus takes an abstract view...
VO/ID juxtaposes two separate texts, one in French and the other in English. The texts question art and experimental cinema, the role of the market in shaping aesthetic criteria, and current politics... In each of the texts, words common to the other language appear, creating an indeterminacy of...
The riots in France in June and July 23, following the murder of Nahel Merzouk by a police officer at point-blank range, are reminiscent of those in 2005, and once again demonstrate the systemic racism of the French state. Scenes plundered from various news sources. The music is of Brazilian and...
Result of a slow decomposition of 16mm prints of QUATR'UN in Recife. One set was scanned frame by frame and cropped to include the perforations. Dissolution of the frame and mimetic representation in time.
A found footage film about the war. A film which inscribed his refusal of the manipulation of the media coverage of the last holy war of the American and their allies. No image of that war which was also a media propagandist war. An evocation against the stupidity of war in seven parts.
