In Paris’s Goutte d’Or district, Malick skates all day long. Confronted by his daily life, he dreams of escaping to America. His father once told him the story of Abu Bakr II, the African king who discovered America. This king who crossed the Atlantic will change his perception of life.
It's a story of love and wallpaper. Alexei is a well-balanced young man, but ever since he bought wallpaper to decorate his apartment, he's been isolating himself... A veritable object of desire, the wallpaper with which he covers his interior obsesses him to the point of literally cutting him off...
A woman's waiting for a man who will never return, another one boxing proudly the vacuum, a singer without orchestra, a conductor lonely. Lonely characters united by a fable, a naked young man lost in the woods, chasing or fleeing something.
In a delicate style, Moeschler portrays the return of a young man from the countryside to his hometown. The ecstasy of the reencounter, the possibility of a fresh start, friendship and love, the deserted streets at night.
On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.
Dry grass, scorched earth, this is the end of summer. In La Valentine, a neighborhood in the north of Marseille, Bobby and Melo strive to exist through stories they're telling to themselves.
The film has been imagined in 1976 and realised in 1980. The idea was highlighting the depth of field throught the cinematic focus. The idea was also that in commercial movies the middle-distances are always blurred, sacrified, not seen, for the advantage of the focused foreground, tool of the...
