A study of the alienated people who frequent the Ballhaus Barmbek dance hall, including an obese El groupie, an old man reciting poetry, two young women and a regular dance employee.
Contemporary cinema’s preeminent chronicler of architecture and its intersection with the ever-present crisis of 20th-century modernity, Heinz Emigholz returns with an alternately mournful and sly treatise on how the presence—and, in some cases, absence—of municipal and communal building...
