Medical father and son in conflict over two conceptions about the practice of medicine as a result of a bad and inopportune medical practice carried out by the son to a patient of the father.
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format...
Two women from the same family, one from 1830 and the other from 1930, the first subject to the rigor of the customs of her time and the other in an atmosphere of independence and freedom.
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.