Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate...
Swiss filmmaker Daniel Schmid died on August 5, 2006, and German filmmaker Werner Schroeter on April 12, 2010. They were close friends, and along with Jean Eustache, Rainer Werner Fassbinder and Philippe Garrel were the most innovative filmmakers of the post-New Wave era.
In a most unusual, near menage a trois, Charlotte is a terrified young singer who is forced to hide out at the home of her ex-boyfriend -- her current male companion has been murdered in his apartment, and she fears the worst. The trouble is that Mathieu, her ex, is happily living with his new love...
Vincent lives in Dubaï. When his wife Livia goes missing, he is immediately concerned and sets out to look for her. She may have gone off with another man, or there may be a more sinister explanation. In a car park, he comes across a young woman in tears. They strike up an instant rapport and...
His new film "The White Ribbon" received the Palme d'or at Cannes this year. Felix and Gero von Boehm have accompanied the German and French film director for several months and were able for the first time watch him exclusively in work and in private. An interesting insight into one of the worlds...
German director Werner Schroeter invited his favourite opera singers to a 13th century abbey near Paris. There was no pre-planned action. There was no script, no continuity. On the other hand, there were precise constraints that provided the rules of the game: the setting, the Abbey of Royaumont,...
Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for...
Heinz Bütler interviews Henri Cartier-Bresson (1908-2004) late in life. Cartier-Bresson pulls out photographs, comments briefly, and holds them up to Bütler's camera. A few others share observations, including Isabelle Huppert, Arthur Miller, and Josef Koudelka. Cartier-Bresson talks about his...
Blanche was raped in her adolescence by a servant, a cowherd named Baptiste. Her family, anxious to hide the shame that this scandal has cast on their reputation, locks the young girl in their manor, thinking that four walls are enough to silence the mockery. One day, Blanche, whom the whole...
An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the...
