Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.
Balo, Villarán and Domingo are lifelong friends in their 80s, attending the funeral of their fourth comrade, Quique. On a whim, and fueled by their animosity towards the departed's shrewish wife, they steal the urn containing the ashes and are thrust into a series of misadventures.
A love that seems to be eternal begins to end. Aurelio will do everything possible to make his inheritance fall into the hands of the love of his life, Ricardo, once he dies.
Murderers tells the violent wait of two men who interrupt the tranquility of a bleak restaurant with their arrival. As the story unfolds their dark intentions are revealed. The impatience grows, customers come and go, and the murderers... wait.
