Formally, an intriguing depiction of video as forward motion, or as technology of road movies and dreams. Alshaibi intercuts footage of a Southeastern Asian trip with a young man’s venereal disease-influenced fantasies of a strange young woman.
Muhammad Zeromski, raised in Iraq and Poland, returns to the U.S. after being away for almost a year. The climate he enters is ominous and confused. He meets a woman who calls herself Jane Doe. They share a common fear and are drawn to one another through their paranoia.
