The Godfather Don Vito Monreale knows, by chance, the Italian-American singer Nick Bouillon. Since the two are alike, Don Vito decided to exploit this similarity in his favour.
Two penniless cousins have a common passion: to be inventors, but they never managed to make money out of their patents. Their only hope is represented by their hateful and rich uncle.
It's the story of a day spent by Dino, separated by his wife, who sees his son Robertino after five years. Dino has not contributed anything in life and to win the affection of his son, invents a story about his past. At the end of the day however, he will succeed in establishing a positive...
A young boy escapes from an orphanage to find two magical creatures in the jungle. As he bonds with the younger one, he discovers that poachers are out to kidnap the creatures and he strives to rescue them.
A petty hoodlum pulls jewellery store heists in broad daylight. The cop on his tail knows he has accomplices and focuses on the gangster's girl friend is his attempt to catch him.
After having challenged the German Ottone to single combat for the hand of Leonza, the bishop's niece, the valiant knight Anselmo da Montebello, leaves for Rome where he must deliver a precious relic to the Pope and obtain a sum of twenty-thousand crowns in order to participate in the third crusade...
Libero Sbardelloni, newly married, cannot find work in Rome, so he moves to Naples, where Baron Gaetano Gargiulo, his wife Marcella's uncle, lives. The baron, however, is a penniless nobleman who lives by swindling and petty theft, constantly going in and out of prison.
The very first feature-length discussion and breakdown of the entire "Emmanuelle" phenomenon - the atmosphere in Europe that led to the production of the original and its subsequent impact across the continent and indeed the world.
During a drug trafficking investigation, two officers from the Rome Squad, accidentally break into a beautiful villa, inhabited by an Italian-American.
This is the first and only feature-length documentary on the life and cinema of the late Jorge Grau, who is most famous for his classic social-political horror masterpiece "Living Dead at Manchester Morgue" (1974), seen by some critics as a fierce critique of the Franco government albeit set in a...
Offers a critical appreciation of Italian horror cinema, pioneered by directors such as Dario Argento and Mario Bava, a genre that influenced filmmakers from Quentin Tarantino to Takashi Miike.
